Pre-Watergate heroism in The Post (2017)

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Tom Hanks as Ben Bradlee and Meryl Streep as Katharine Graham. Photo by Niko Tavernise

One of the best films on journalism and empowered women

It’s wonderful how, especially in recent years, Hollywood has come to appreciate journalism as an industry, even to Oscar-award levels.

In 2016, Spotlight won Best Picture. In 2018, The Post almost did.

I love The Post.

It’s based on the 1971 story of Katharine Graham, first female publisher of a major newspaper (The Washington Post), and how she grappled with conflicting interests — a choice between keeping her friends, reputation, and (possibly) profits; or upholding freedom of the press and defying douchey US president Nixon.

Meryl Streep, as Graham, is divine as ever. You’ll see her character’s subtle transformation from a nervous, reluctant heiress of a newspaper (from her charismatic husband who had committed suicide), to a woman who — after a lifetime of being ignored or dismissed — has realized she has a voice: that of being the boss. There’s a scene where she, teary-eyed and torn to two sides, makes a decision that changes her life forever. You can’t help but feel victorious with her.

The Post is one of those movies that make you think, “The question is only whether to print or not to print — yet it’s nail-biting as shit!” But then, it’s a Steven Spielberg film. Artful montages of newspaper production — infused with music by John Williams — create an accelerating tension that will leave you breathless. Tom Hanks (as editor-in-chief Ben Bradlee) is also effective as the fire-spitting, feet-on-the-desk editor who locks horns with (albeit in a gentlemanly way) his publisher friend.

I have my reservations about how the Vietnam war scene was made, though. Spielberg chose the dramatic irony route, and I wonder how it would have been if it were in a different way.

But — yeah — The Post is awesome! I watched it twice and still found it riveting the second time. Five dazzling stars!

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